INDEPENDENT ANTIQUARIAN HOUSE · ESTABLISHED IRELAND 2011 · GOTHENBURG, SWEDEN
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Historical Record · Dublin, c.1912–1916

Henry Street Before the Easter Rising — A Bobs Studio Portrait

Bobs Studio, 16 Henry Street

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Catalogue details

Description

An original mounted portrait from the short-lived Bobs Studio on Henry Street, Dublin — a photographic address directly touched by the destruction of the 1916 Rising.

Date
c.1912–1916
Place
16 Henry Street, Dublin
Country
Ireland
Category
Irish Photography
Studio
Bobs Studio
Extent / Pages
1 mounted photograph · recto and verso
Dimensions
Measurements gladly provided on request
Subject
Unidentified woman, bust-length portrait
Reference
TBH-IRL-PH-BOBS-C1912-1916
Medium
Original studio portrait on embossed card mount
Condition
Please consult the photographs for condition. Additional photographs are available on request.

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Historical context & sources

Context, attribution and documentary significance.

The Studio

Bobs, 16 Henry Street — a brief Dublin photographic address.

The mount identifies the studio directly: Bobs, 16 Henry St., Dublin. Directory-based research into Dublin photographers places Bobs Studio at this address from 1911 to 1916 and states that the “Bobs” name was used from 1912. That evidence provides the working date range adopted for this portrait.

The Little Museum of Dublin preserves a surviving complimentary coupon specifically for “Bobs Studio” at 16 Henry Street, independently confirming the studio name and address as part of Dublin’s early twentieth-century retail landscape.

Henry Street before 1916

A commercial portrait made on a street about to be transformed.

Henry Street was one of the principal commercial streets on Dublin’s north side, running west from Sackville Street beside the General Post Office. The portrait was made during the final years before the Easter Rising, when this central district was both a retail centre and an important concentration of photographic and entertainment businesses.

National Archives of Ireland compensation records provide unusually direct evidence for the photographic premises at No. 16. Claim PLIC/1/0044 names photographers Henry George Brabazon and Percy Brewer and records stock-in-trade and fittings damaged at 16 Henry Street during the 1916 disturbances. The precise business relationship between those names and the Bobs trading name remains a subject for further research, but the archival record securely connects the address with professional photography and with the physical destruction of 1916.

The Portrait

A restrained studio image with the mount carrying the history.

The unidentified sitter is shown against an almost featureless pale background, wearing a light high-necked blouse or dress and a close double-strand necklace. Her hair is loosely waved and arranged around the face. The photographer has used very soft focus and a high-key tonal treatment, giving the portrait a deliberately delicate appearance.

The most important documentary feature is the original mount. At the lower edge, the studio name “Bobs” is embossed in script beside a small monogram device, followed by “16 Henry St. · Dublin”. The reverse is plain and carries no inscription identifying the sitter.

1916 & the Address

The original photographic premises did not survive the Rising intact.

The surviving streetscape at 16 Henry Street belongs to the rebuilding that followed the Rising. Buildings of Ireland dates the present commercial building to 1915–1920 and records that it was rebuilt in 1916–17. The portrait therefore preserves the commercial identity of an address at the moment immediately before a major rupture in Dublin’s urban history.

This does not make the sitter part of the Rising, and no such connection is claimed. The historical interest lies instead in the unusually precise survival of a photographic object carrying a studio name and address whose working life was cut short by the destruction of central Dublin in 1916.

The photograph and its embossed mount are the primary evidence. External sources used to establish the studio chronology and the history of 16 Henry Street are listed below.

A note to the future custodian

Preserve original inscriptions, booksellers’ labels, tickets and any accompanying notes. Keep loose inserts in a separate archival-quality acid-free enclosure beside the volume, protect from direct sunlight and support the binding when opening.