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Association Copy · London, 1897 · ownership inscription July 1899

Mark Twain’s The Stolen White Elephant — Lucy Carr Shaw’s 1899 Ownership

Lucy Carr Shaw Association Copy · Chatto & Windus, 1897

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Catalogue details

Description

A late-Victorian London edition of Mark Twain’s story collection bearing the dated ownership inscription of Lucy Carr Shaw, the Dublin-born actress and singer who was the elder sister of George Bernard Shaw.

Author
Mark Twain (Samuel L. Clemens, 1835–1910)
Format
8vo.; original dark blue cloth, gilt title to upper board and spine
Country
England, United Kingdom
Title
The Stolen White Elephant etc.
Edition
A New Edition
Publication
London: Chatto & Windus, 1897
Collation
[vi], 285, [1 blank], [32 advertisements] pp., as recorded in the earlier catalogue description
Ownership
“Lucy Carr Shaw / July 1899 / London” in ink on the front free endpaper
Association
Previously catalogued as the personal copy of Lucinda Frances “Lucy Carr” Shaw (1853–1920), elder sister of George Bernard Shaw
Dimensions
Measurements gladly provided on request
Reference
TBH-IRL-BOOK-TWAIN-SHAW-1897
Date
1897 · ownership inscription July 1899
Place
London
Category
Irish Ephemera
Medium
Printed book · original cloth binding
Condition
Please consult the photographs for condition. Additional photographs are available on request.

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Historical context & sources

Context, attribution and documentary significance.

The Book

A Victorian Chatto & Windus edition of one of Mark Twain’s comic story collections.

This copy was published in London by Chatto & Windus in 1897 and is explicitly described on the title page as “A New Edition.” The collection itself had first appeared in book form in 1882. It takes its title from Twain’s celebrated comic tale of a royal white elephant whose disappearance becomes an increasingly absurd detective investigation.

The present volume is therefore not a first edition. Its importance lies instead in its surviving ownership inscription and the literary association created by that provenance.

Lucy Carr Shaw

“Lucy Carr Shaw · July 1899 · London.”

The front free endpaper is inscribed in ink “Lucy Carr Shaw / July 1899 / London.” The volume was previously catalogued as coming from the library of Lucinda Frances Shaw (1853–1920), generally known professionally as Lucy Carr Shaw, the elder sister of Irish playwright George Bernard Shaw.

The Dictionary of Irish Biography identifies Lucinda Frances as Shaw’s elder sister and as an actress and singer in musical comedy. Surviving theatrical research records a substantial stage career, including work with the D’Oyly Carte organisation, appearances in London and on Broadway, and retirement from the stage in 1898 because of ill health. She later worked as a writer and translator, including on Strindberg’s Miss Julie.

The July 1899 inscription consequently dates from a particularly interesting point in her life: shortly after the close of her professional stage career.

Association Copy

An American literary text with a direct Shaw-family ownership connection.

This is an association copy rather than an author-signed copy. Mark Twain did not inscribe the volume. Its significance comes from the dated ownership inscription of Lucy Carr Shaw and the book’s documented placement in her personal library.

That association creates an unusual transatlantic literary object: an 1897 London edition of an American author, owned in 1899 by a Dublin-born actress and member of the Shaw family. It is therefore catalogued by Ten Bells Auction House under Irish Ephemera.

Journal

Lucy Carr Shaw: From the Stage to the Page

A Journal essay places the July 1899 ownership inscription within Lucy Carr Shaw’s theatrical and literary life, while separating documented provenance from speculation. Read the Journal essay →

The ownership inscription and title page are the primary evidence for this record. The following external sources support the biographical and bibliographical context used in the catalogue description.

A note to the future custodian

Preserve original inscriptions, booksellers’ labels, tickets and any accompanying notes. Keep loose inserts in a separate archival-quality acid-free enclosure beside the volume, protect from direct sunlight and support the binding when opening.